the physical morphology of the “wild” animal it is Bahamas Email Lists supposed to represent, respect for the “wild” character , which corresponds to the behavioral standards of the species, seems much more problematic and limited. The “wild” animal , Bahamas Email Lists according to his reasoning, flees when humans approach them, and is in a certain way free of his life and his movements. Here, neither its reproduction, nor its food, nor even its social relations Bahamas Email Lists are its responsibility. These animals cannot therefore be thought of as “wild” , since they are kept in captivity, born and raised in the
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zoo to parents born and raised in the zoo. ” He is at Bahamas Email Lists the same time here (present), from here (he lives in the zoo and will probably never leave it) but he is also there (distant, absent, only imagined), his life is attached to an elsewhere . He must Bahamas Email Lists represent his wild counterpart while remaining the individual that he is. In this sense, it is an actor animal, playing the role of a wild animal which is not present, or which is present Bahamas Email Lists only elsewhere ”(Marvin, 2008). The discourse on the life of wild animals seems doomed to remain a fiction and the existence of
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these zoo animals is limited to satisfying human Bahamas Email Lists needs: it is the counterpart of the care which is brought to them. In this sense, they have a lot to do with domestic animals, their raison d’être being dictated by the human trade (Marvin, 2008).
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Our male Bahamas Email Lists giraffe, intermittent breeder, poor actor of his species, is characterized as the liminal animal par excellence. It is because he is male that he is shown as such. It is for these same Bahamas Email Lists reasons that he is kept away from the rest of the group. The Vincennes zoo appears as a place of spectacle (Anderson
